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| Monday, December 25, 2006 |
| Merry Christmas, Herzliche Weihnachtsgrüße, and Joyeux Noël |
 Joyeux Noël (2005) Starring: Diane Kruger, Benno Fürmann, Guillaume Canet, Dany Boon, Gary Lewis, Daniel Brühl Written by: Christian Carion Directed By: Christian Carion Cinematography: Walther van den Ende
Season's Greetings, fellow film friends. Because of the nature of this time of year, I thought that maybe before we get into discussion about this week's movie, we should take a moment to reflect. You know, reflect on the things that we should be grateful for. (Am I wrong? Isn't this the time of year to be doing that sort of thing? I wasn't raised well.)
If you're like me, you don't celebrate the 25th of December (or any other religious holiday, for that matter) as anything more than just a time to be thankful for that which we have. A time to enjoy "togetherness" and "love" and "warmth"- whatever these ambiguous concepts may mean to each of us.
This time of year, as I recall, is a good time also to be rememberful of those who have not. So, let's just say that before dinner last night, although my heathen family and I did not talk with God, I personally made it a point to be silently thankful. Although families can be overbearing (and for some reason, even the more so during the holidays. Criminy!), it's nice to have a little somethin' somethin' to come back home to (Somethin' Somethin'= love and great food, you sick f*ck).
Ok, enough with the drivel, onward ho..... Ho. Ho.
Although I love to talk about films, I have the strange knack for never, ever knowing anything about a movie that I'm about to see. I don't keep up with what's coming out anymore, or even who's doing what. Usually, I just kinda wander around in the video store until I find something good OR until I find something that I've heard Jeff talking about. Jeff has an excellent sense for the cinematic. Except for in the case of The New World (Just kiddin!!)
With all of that said: I go into the local video store and without even taking a look around, I ask the guy at the desk, "Do you have a movie called... Joy- Joy- Joyyou Noel?"
See, I don't want to sound like someone who thinks they know how to pull off a French accent. On the flip side, I don't wanna come off as that stupid white trash chick with "Hey, you got that thar Joy-ux No-el?"
To my chagrin, the video store guy told me, "Yeah. We have it. It's on the 'New Releases' wall".
I had most certainly thought that Joyeux Noël was a classic film. We're talkin' 60's- or 70's- old. Had I known it was a new release, I would most certainly have gone straight over to the New Releases wall and looked for it on my own. And now I feel like an asshole and will proboably not go back to that store for a while. Especially now with the late fees...
As for the movie:
I was totally shocked, once again, because I popped this movie in without knowing the slightest of what it was about. At first, I was troubled that it would be a poorly acted, overdramatized depiction of personal relationships circa WWI. Once the nitty-gritty of the story began to unfold, I was pulled in. Based on true events, nonetheless.
What I found endearing: The connection that develops between the Lieutenants of the three sections of the front. It is slow at first, as we see the German in charge, Horstmayer (played by Daniel Brühl), resisting anything that would seemingly stray away from the rote. Hell, he even challenges the pupose of the singers at first. Although, in my opinion, if one of my men wanted to bring a steaming hot young lady down to my trench, I might just let him.
I loved the fact that even after Sprink sings and the Scots chime in with their bagpipes, I was still afraid that someone was going to get their head blown off.
I love how we see the three trenches slowly warm up to each other. They are all men- mortal men. These men have blood pushing through their veins after all. Yes, this theme can and should be be discussed on the plain of any war/conflict. These men were once assigned, much like robots, to shoot at/kill one another only to find that they enjoy one another's company-- what a powerful message. I will take what I see pertinent from it: I hope that you find a similar message within the movie that will stay with you in the same way.
What I found annoying: I was afraid that this movie was going to be a --- sigh--- lovestory. Although the events that transpire in the film wouldn't have been able to take place without the Singing Lovebirds' yearning to be with one another, I was glad to discover that their story was merely a vessel for the togetherness of the three trenches on Christmas Eve. I also find it annoying that in some global film markets, this movie was marketed as a love story. Maybe it's just me, but I prefer the interation between the men in charge over the "love" element of the film. The developing comraderie was refreshing.
There should definitely not have been close-ups of the couple singing together. It was unbearable to watch the two "sing". Hopefully, if you have seen the film, you will agree with me without my having to delve into further explanation.
Overall- I liked it. Nice little pleasant surprise. Good pick, Jeff.
Thoughts, anyone? |
posted by K @ 12/25/2006 02:18:00 PM  |
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| 6 Comments: |
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we've got spam....success!!!
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ok, i liked this movie. there were some things that bothered me, though, and the love story was one of them. it was like i was supposed to feel something, was being told to feel something, but i just didn't care. that girl's face was pretty. that's just about all i got out of that story.
to me, this was in the same vein as tokyo godfathers. enjoyable and charming, but not wholly unpredictable or complex. i don't really mean that in a bad way, i just had different expectations. unfortunately i have the opposite experience with movies from that of katie. i usually know way too much and come away disappointed.
now, i'll repeat - i did like this one. some of the cinematography was outstanding. and the story itself, i loved. i had never heard of this happening. the scene where they all first congregate nervously in the middle of the trenches was both touching and funny. those types of moments were scattered throughout the entire movie, keeping some of the duller elements from making it too uneven.
my favorite little story was the one about the two brothers. the cease fire was a great thing, but for these soldiers, the reality of the war ultimately overwhelmed them.
i also liked the line when the french guy's dad is chastising him, saying his country would be ashamed, but the lieutenant's like 'what does the country know about what goes on out here?' it's interesting to see such a macro vs. micro take on war.
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So, Spam means that we're doing something right?
Jeff, you know, if I had looked at this film under the microscope that I am known to bring along to the movies with me, I wouldn't have given it a second chance after I saw that the words being sung by Sprink didn't sync up with what his mouth was doing. Seriously, I would have turned the shit off.
But, being part of this group of film dilettantes, it is in my best interest to watch the movie through so that I can bring my full opinion to the table and share.
Yes, Jeff, the cinematography at times was gorgeous. I liked the way the movie looked- gorgeous.
We need to get Tim in here to tell us if the costumes were appropriate for this film's place in history. Tim- how'd the costumer do?
And, I didn't even think that she was that pretty :)
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i totally agree with people that the love story was the weakest element, and i was so surprised that the woman singer was on the disc when she was such a small part. how creepy was that officer in the house watching her sing? was he jerking off?
she looked kinda like rebecca romiggnngnjj ex-stamos. she was a hottie. but not so hot as the german officer who was a banging hottie and, with his facial hair situation, could easily be living the hipster life in brooklyn.
i loved seeing the three officers walking. i loved that shit with the cat, that was great.
but you know what was really the most moving to me was the preacher guy. when he said it was "the most important mass" of his life, or whatever. that was great.
i was surprised about the german military sending out those little christmas trees. that must have cost a lot and taken a lot of energy. i mean there's a war on, and you're sending out little trees? weird.
also interesting was that house were the germans were staying and those french people or whoever were still living there too. the barn or whatever.
i give it four stars out of five. it really was beautiful. especially the opening sequence, and also i'm also really touched by people communicating across different languages. it makes me want to learn french. also i love bagpipe music.
nestor the cat roolz.
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i am blinded by the brilliance of this post. katie, your striking good looks are surpassed only by your poetic intelligence and supreme wit. i dream of spending all day and all night mispronouncing french words with you.
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Dude. You had me at, "I am blinded..."
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Founded in Athens, GA in late 2006, we are a group of movie lovers who participate in a weekly, online discussion regarding the merits, qualities, themes, histories, implications, connotations, denotations, and general appeal (or lack thereof) of a variety of selected films.
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